Bakerton is a company town,
built on coal; a town of church festivals and ethnic neighborhoods,
hunters′ breakfasts and firemen′s parades. Its children are raised in
company houses - three rooms upstairs, three rooms down. Its ball club
leads the coal company league. The twelve Baker mines offer good union
jobs, and the looming black piles of mine dirt don′t bother anyone.
Called Baker Towers, they are local landmarks, clear evidence that the
mines are booming. Baker Towers mean good wages and meat on the table,
two weeks′ paid vacation and presents under the Christmas tree.
The mines were not named for Bakerton; Bakerton was named for the mines.
This is an important distinction. It explains the order of things.
Born and raised on Bakerton′s Polish Hill, the five Novak children come
of age in wartime, a thrilling moment when the world seems on the verge
of changing forever. The oldest, Georgie, serves on a mine sweeper in
the South Pacific and glimpses life beyond Bakerton, a promising future
he is determined to secure at all costs. His sister Dorothy, a fragile
beauty, takes a wartime job in Washington D.C. and finds herself
unprepared for city life. Brilliant Joyce longs to devote herself to
something of consequence but instead becomes the family′s keystone,
bitterly aware of the opportunities she might have had elsewhere. Her
brother Sandy sails through life on looks and charm, and Lucy, the
volatile baby, devours the family′s attention and develops a bottomless
appetite for love.
BAKER TOWERS is a family saga and a love
story, a hymn to a time and place long gone, to America′s industrial
past and the men and women we now call the Greatest Generation. This is a
feat of imagination from an extraordinary new voice in American
fiction, a writer of enormous power and skill.